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Try out, Friday july 22; 20:30.
Admission free
3 screenings of the same 20min movie with 3 different soundtracks.

On this evening these ensembles will improvise live on the animation The Song of Mr Halewyn.

- Oorbeek (liberators of sound)
- Santiago Botero and Mauricio Ramirez (jazz)
- Arnoud Traa and Martijn Smid (Gerauschemacher/ foleyartist)

Website Daphne Rosenthal.

In the context of motion pictures and television, sound effects refers to an entire hierarchy of sound elements, whose production encompasses many different disciplines, including:

Hard sound effects are common sounds that appear on screen, such as door slams, weapons firing, and cars driving by.

Background (or BG) sound effects are sounds that do not explicitly synchronize with the picture, but indicate setting to the audience, such as forest sounds, the buzzing of fluorescent lights, and car interiors. The sound of people talking in the background is also considered a “BG,” but only if the speaker is unintelligible and the language is unrecognizable (this is known as walla). These background noises are also called ambience or atmos (“atmosphere”).

Foley sound effects are sounds that synchronize on screen, and require the expertise of a Foley artist to record properly. Footsteps, the movement of hand props (e.g., a tea cup and saucer), and the rustling of cloth are common foley units.

Design sound effects are sounds that do not normally occur in nature, or are impossible to record in nature. These sounds are used to suggest futuristic technology in a science fiction film, or are used in a musical fashion to create an emotional mood.

Each of these sound effect categories is specialized, with sound editors known as specialists in an area of sound effects (e.g. a “Car cutter” or “Guns cutter”).

The process can be separated into two steps: the recording of the effects, and the processing. Sound effects are often custom recorded for each project, but to save time and money a recording may be taken from a library of stock sound effects (such as the famous Wilhelm scream). A sound effect library might contain every effect a producer requires, yet the timing and aesthetics of a tailor-made sound are often preferred.

Foley is another method of adding sound effects. Foley is more of a technique for creating sound effects than a type of sound effect, but it is often used for creating the incidental real world sounds that are very specific to what is going on onscreen, such as footsteps. With this technique the action onscreen is essentially recreated in order to try and match it as closely as possible. If done correctly it is very hard for audiences to tell what sounds were added and what sounds were originally recorded (location sound).

In the early days of film and radio, Foley artists would add sounds in realtime or pre-recorded sound effects would be played back from analogue discs in realtime (while watching the picture). Today, with effects held in digital format, it is easy to create any required sequence to be played in any desired timeline.

This evening different sound artists will all create their own soundtrack to the 18:000 frames long animation of Daphne Rosenthal. None of the sounds are pre- recorded. Some contain rehearsed material but most of it will be improvised.

All info can be found here